Ioulia Terizis, Slivers and Shard (detail), 2017, Gelatin silver photograph, 115.0 x 83.0cm. Courtesy the artist.
It’s wonderful being asked to write catalogue essays for artists. The process, particularly studio visits, give a special insight into an artist’s practice and their world more broadly. Recently I was commissioned to write two artists texts: Ioulia Terizis’ exhibition Quanta at PhotoAccess in Canberra, and Lucas Davidson’s A Strange Loop at Dominik Mersch Gallery in Sydney.
Both artists use photography in different and intriguing ways and this was a great chance to really sink my teeth into ideas around photomedia, expanded photography, and light.
Lucas Davidson, ‘Death as a Companion to Living’, 2017, pigment print, 112 x 90 cm, ed. of 3 + 1a.p. Courtesy the artist and Dominik Mersch Gallery