Art Monthly produced a cracker summer feminism-themed issue, guest edited by Dr Susan Best and Louise Mayhew. The issue includes pieces on feminist curatorial practice, activist art and queer art, as well as a centrefold with a difference – Mayhew’s timeline of women’s art collectives in Australia.
Writing a feminism-focussed round-up of the year in Australian art gave me pause for thought about the nation’s attitude to women more generally, particularly in light of 2015’s political goings-on. While it was a relief to leave behind Tony Abbott, Minister for Women, Turnbull’s respect-for-women rhetoric seems at this point to be mostly just lip service to the issue.
Just as citizens have reclaimed phrases such as ‘Destroy the Joint‘ and ‘Binders full of Women‘ in recent times, Peter Dutton’s ‘Mad f***ing witch‘ comment has similarly energised people in 2016. It will be interesting to revisit this issue in 12 months’ time and see if and how we have evolved.
The first regular writing gig I managed to wrangle once I’d made the leap into freelance life in late 2013, was with RAVEN Contemporary. I, along with a slew of great writers worked initially under Georgia Sholl and subsequent editor Rebecca Gallo to produce reviews, gallery guides and opinion pieces exploring the world of contemporary art in an accessible way.
RAVEN, published by 10 Group, was wound up at the end of June this year but has been archived so that its content can continue to be available for interested readers. If you haven’t explored it before (or even if you have), take the time to bookmark the new url and check out some of my recent highlights from some of RAVEN’s great writers:
MONA, Marina and DARK MOFO – Rebecca Gallo
The art islands of Japan – Sharne Wolff
Cementing a friendship in Kandos – Rebecca Gallo
On this site: A celebration of difference – Kate Britton
I’ll miss writing for RAVEN, particularly the things I learned interviewing artists, researching galleries, and having the opportunity to cover Singapore Art Week. The experience had a profound impact on my development as an arts writer for which I’m very grateful.
The archive of the more than 20 pieces I wrote for RAVEN can be found here.